29.9.10
Γιατι να ειναι τοσο διαολεμενα τελειο αυτο το wallspit που μπορει να λεει και κατι βλαμμενο ή τρισαθλιο; Γιατι να εχει κατσει τοσο καλα και τοσο τυχαια το τρεξιμο σε καθε γραμμα; Γιατι να μ αρεσει τοσο πολυ; Γιατι να ειναι στην τελεια αποσταση απο την αποπανω καγκουρια; Ετσι απλα του ηρθε του κωλοπαιδου και ειπε, "εδω, στην Ηρακλειδων θα το βγαλω και θα ριξω λιγο μαυρο". Και το κανε το κωλοπαιδο και βγηκε αυτο το αριστουργημα του βανδαλισμου και της βλακειας που να αγιασει το φανελακι του. Το ζηλευω αυτο το κωλοπαιδο, ζηλευω τις μυτες των σπρει του, ζηλευω τη βρωμικη τσεπη του, τον υδρωτα στο αυτι του, το σπορτεξ κασσετοφωνο, ζηλευω τη στιγμη που αποφασισε να το ριπισει, τη στιγμη που το παρατησε κι εφυγε και ολο το ενδιαμεσο της κινησης σε αργη κινηση. Σ ευχαριστω μικρο κωλοπαιδο για τις στιγμες που με αφηνεις να ζηλευω, ειναι σιγουρα στιγμες εξω απο το χωρο και το χρονο. Θα ηθελα μονο να ξερεις οτι σ αυτο το φτυσιμο υπαρχει μαζεμενη ολη η δεξιοτεχνια των μεταλ λογοτυπων ψιλοκακοποιημενη και αφημενη στη βροχα και στ αγιαζι παρεα με δυο παχουλους ξενυχτιδες mc που τρωνε μπουγατσα για πρωινο χαζευοντας τις καλτσες τους. Ειναι μονο μια λεξη αυτη η μουτζουρα, αλλα θα μπορουσε να λεει ολο το πατερ υμων αναποδα, το με παρεσυρε το ρεμα και τις τελευταιες κουβεντες ολων των πεθαμενων ταυτοχρονα ενω φαινετε με μισοκλειστα ματια σαν τον εσταυρωμενο με εναν κλασσικο μεξικανο σε κατοψη για κεφαλι. Δεν ειναι τυχαια η τυχαια συνθεση σου. Θελω να ξερεις οτι εχω αρχισει να νυσηχω για ολα τα υπολοιπα χρωματιστα γκαφιτι της πολης, μηπως μια μερα μαζευτουν ολα απο κατω απ το δικο σου, φλουδες, να προσπαθουν να το αγγιξουν. Σταματαω τωρα να γραφω γι αυτο, γιατι καταλαβαινει, και δε τα γουσταρει αυτα.
PLAY IT AGAIN SAM
GROUP INERANE
Volume 3 of the now legendary Guitars from Agadez series is finally here. Group Inerane's sophomore LP is the latest missive from the now sound of Niger's Tuareg guitar scene. Led by guitar hero Bibi Ahmed, this new incarnation introduces another legend on second guitar, one Koudede Maman. Koudede is considered to be a cornerstone of the second wave of the Tuareg guitar lineage, while Tinariwen and Abdulla Oumbadougo are the godfathers of the scene and Group Inerane and Bombino are the third and most current incarnation of the Tuareg's voice for hope and equality. Koudede's addition to Group Inerane's lineup arises from unfortunate circumstances -- Adi Mohammed, Inerane's original second guitarist, was shot dead in the endlessly festering rebellion battles. This new lineup is testament that the music of the Tuareg will not be stopped. The sound represented on this LP is the apex of the trance stun guitar style that this scene has perfected. This is rock music as played with Saharan modes. There is a propulsive entropy to these songs that is infectious and narcotic! Two guitars, bass and drums chug along on a hypnotic choogle that rivals both the Magic Band's early 70s marathon workouts and the Velvet Underground's drone on tracks like Sister Ray. This is music made from revolution and its message of hope and validation of equality of the Tuareg way of life is unstoppable. Recorded by Hisham Mayet on location in Niger's capital Niamey in 2010 as travel to Agadez was forbidden by the military Junta that had just overthrown then President Mamadou Tandja. Limited edition LP comes in a beautiful full color gatefold Jacket with photos of the musicians and liner notes by Hisham Mayet
28.9.10
Χαλβας, διαβασμα, σημειωματαρια, δισκακια απ τον προκόπη, δεη, εισητηρια για ιταλια χωρις καταλλημα, αν δε βρεξεις τον κωλο σου ψαρι δεν τρως, καθε εμποδιο για καλο, τιποτα σοβαρο, να παμε τον ενισχυτη για επισκευη και να παμε την πανασονικ στην αντιπροσωπεια, και το πρωινο newsletter απο το dj history να μη μας αφηνει να ξεκολλησουμε απο τα λινκς του.
tropical disco
ragga techno
23.9.10
22.9.10
21.9.10
20.9.10
19.9.10
SILENCE FICTION SOCIETY presents
DUCKTAILS (usa) + DOLPHINS INTO THE FUTURE (be) LIVE
@ Six d.o.g.s
Αβραμιώτου 6-8, Αθήνα (μετρό> Μοναστηράκι)
ΚΥΡΙΑΚΗ 26 ΣΕΠΤΕΜΒΡΙΟΥ 2010
Ώρα Έναρξης > 21:00
Τιμή εισόδου > 12 euro
Η ομάδα Silence Fiction Society, σε συνεργασία με το SIX D.O.G.S. παρουσιάζουν τον Αμερικανό Ducktails σε ένα μοναδικό double bill, με τον Βέλγο Dolphins Into the Future, στα πλαίσια της κοινής τους Ευρωπαϊκής περιοδείας.
Οι δύο ταλαντούχοι νεαροί καλλιτέχνες ανήκουν σε ένα πολύμορφο κίνημα lo-fi μουσικών – ανάμεσα τους, ο Ariel Pink, οι φορμαλιστές Skaters, οι Pocahaunted και ο Oneohtrix Point Never- που αντλούν έμπνευση από το μουσικό σκουπιδότοπο των 80s (fm rock, new age, mtv trash) δημιουργώντας έναν νέο ψυχεδελικό ήχο.
18.9.10
κυριακη βαρδυ
No fun Acid
THESE HAD BETTER BE GOOD. They should be amazing in theory, Carlos Giffoni bringing a Noise mindset to the acid template and all that. OK, the first track on the CD starts off with a nasty little drone which slowly subsides as the 606 kicks in, very satisfyingly as it happens, and continues in the vein of a surprisingly straight-laced acid tune.. Albeit over twenty minutes long. The second demonstrates the more antisocial aspects you might expect, with the 303 pushed to the point of spark-flying short circuit and the rhythm track just that little bit too fast for your mind to be able to comfortably keep up with it, never mind your dancin' shoes. The vinyl also features two long tracks. The first begins almost like an alternate version of the first CD track with the droning noise amped right up and featuring some quality sub-destroying throbs before that dirty, distorted 303 comes out to play,
eventually running the show solo for the final few minutes with its harsh 'n' nasty gurgle. The flip's given over to a Gavin Russom remix which brings the atmosphere with gliding Blade Runner synths and the wailing cries of the tortured ghosts in the Rolands. THEY WERE GOOD. Excellent in fact!
(http://www.normanrecords.com/records/114463)
calvin jones mixtape
Chugga
17.9.10
'I Love You, Please Love Me Too'
JOSEPH HAMMER 'I Love You, Please Love Me Too' LP (PAN 8)With "I love you please love me too", Joseph Hammer continues his journey into playful yet heavily focused idiot-savant infinite psychedelic inertia. Utilising consumer audio technology and 20th century detritus, Hammer lovingly decodes his passion for mid century sci fi and AM radio station beyond all point of recognition like a snakecharmer. multi-dimensional audio collage techniques to a free form and completely unorthodox plunderphonic hypnosis. Baked devotionals for tape loop minds.Joseph Hammer, a sound artist from Los Angeles, has actively created experimental works since 1980 as a member of the LAFMS collective. His practice draws on the complexities of the process of listening and playing, reflecting on the role of the audience versus the performer, and uses music as it influences our notion of time, memory and intimacy as the basis for improvisation and abstraction. In various collaborations, solo, and as a founding member of the trio Solid Eye along with several other projects (Joe & Joe, Dinosaurs With Horns, Dimmer, Points of Friction), Hammer has performed widely and is an influential contributor to the Los Angeles underground scene. The Lp is mastered and cut by Rashad Becker at D&M, in a limited edition of 330 hand-numbered copies, pressed on 140g vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press jacket which itself is housed in a two-tone silk screened pvc sleeve with interweaving geometric designs. All artwork by Kathryn Politis and Bill Kouligas.
KEITH FULLERTON WHITMAN 'Disingenuity b/w Disingenuousness' (PAN 13)
KEITH FULLERTON WHITMAN 'Disingenuity b/w Disingenuousness' (PAN 13)Keith Fullerton Whitman bursts back with his first full length record in four years, "Disingenuity b/w Disingenuousness", comprising of two pieces of forward thinking electronic music with a deep exploration into the analogue sound. Live and studio recordings of the past two years (Cambridge-New York-Toronto) were used as source material, which were then realized into two longform compositions. Using a Musique Concrète approach of deconstructed sounds (ala Pietro Grossi, Costin Miereanu, Basil Kirchin, Dub Taylor, etc) "Disingenuity b/w Disingenuousness" encompasses various reference points from François Bayle, Jacques Lejeune, Richard Pinhas & Heldon to the minimal textures of Basic Channel-Chain reaction axis... Both tape-collage pieces which derived from an hour-long improvisation based around a setup involving a tape of chance field-recordings (a helicopter, walking on snow, children) bounced to a mono nagra tape machine, which is covered in contact mic's that translate not just the sound coming from the speakers, but the actual mechanical "interface" of the unit into control voltage & triggers that drive a modular synth that's processing said audio using the classic electronic music toolkit (i.e. ring modulation, panning VCA's, filters, etc). Keith Fullerton Whitman is an American electronic musician who has recorded albums influenced by many genres, including ambient music, drone, electronic, drill and bass, musique concrète and krautrock. He records and performs using many aliases, of which the most familiar is Hrvatski and has been also member in many 90s bands, including El-Ron, The Liver Sadness, Sheket/Trabant, The Finger Lakes and Gai/Jin. He started recording using his own name in 2001, and most of his work recorded today is under that name. He studied computer music at Berklee College of Music, where he was exposed to modern electronic music composition and synthesis. His moniker ASCIII has released music distributed with an academic journal. His studio and live setup usually consists of computer devices and other analogue instruments, such as guitars, ouds and synthesizers. Whitman has released albums on labels such as Planet Mu, Kranky, Carpark Records, No Fun Productions, Root Strata as well on his own Entschuldigen and (now defunct) Reckankreuzungsklankewerkzeuge labels. The Lp is mastered and cut by Rashad Becker at D&M, in a limited edition of 500 copies, pressed on 140g vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press color jacket which itself is housed in a silk screened pvc sleeve with artwork by Bill Kouligas.
16.9.10
13.9.10
11.9.10
οχι ρε πουστη μου ηρθε η ωρα για την αναρτηση που αρχιζει με το 'ειναι φορες' που νομιζω οτι ο εγκεφαλος μου θα παραλυσει μονιμα, οταν νομιζω οτι σου κοβετε η ανασα οταν σε γαργαλαω ασχημα, οταν πνιγονται τα μωρα με φαγητο στιγμιαια, οταν ξεκιναω να κατεβαζω παπαδες μετα απο 3 χρονια παλι, οταν φανταζομαι οτι κατι θα παθει ο μπαμπας μου, οταν πιστευω οτι ολοι οι αντρες του κοσμου κανουν κρυφα σεξ με ολους τους αντρες του κοσμου, οταν φανταζομαι οτι ο λαρυγγας δε θα ξαναγραψει λεξη στο μπλογκ του, οταν υπαρχει ανοιχτο κλιματιστικο.
http://www.strut-records.com/content/walter-gibbons-jungle-music
7.9.10
http://www.designboom.com/weblog/cat/9/view/11341/junya-ishigami-wins-golden-lion-for-best-project-at-the-venice-biennale.html
δεεεεεεεεεεεεεεεεεεεεεεεεεεεεεεεεεεεεεμπειρααααααααααααααααααζει
δεεεεεεεεεεεεεεεεεεεεεεεεεεεεεεεεεεεεεμπειρααααααααααααααααααζει
6.9.10
Goon moon / electric litany (θα πάμε ταρζανιτα) /trentemoller -into the great wide yonder/surgeon fabric 51(πόσο όμορφη φωτό στο εξωφυλο )/τι περίεργο που ο Γιωργάκης στηρίζει Μπουταρη/γιατί ο κόσμος έχει τρελαθεί /ωραία που έπεσε η θερμοκρασία /το βράδυ συνέχεια ουρλιαζουν οι σειρήνες /ΝΙΚΗ το σάββατο επί του βαζελου/οι autechre στο βιος/σε λίγο αρχίζουν τα σχολεία /το ΑΕΑΛΟ των rotting Christ είναι απλά δισκαρα /θόρυβος /ήλιος /σταματάει το μυαλό μου θέλω να γράψω κι αλλά /Θανασης Παπακωνσταντίνου στο κατρακειο/ο moritz Von Oswald είναι Θεός /www.pan-act.com /sinister resonance:the mediumship of the listener - David toop/cindytalk/swans
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