29.4.11
28.4.11
27.4.11
26.4.11
25.4.11
23.4.11
22.4.11
21.4.11
playing the piano
francesco Tristano / bachCage
Ludivico Einaudi / NIGHTBOOK
ryuichi sakamoto /playing the piano
Ludivico Einaudi / NIGHTBOOK
ryuichi sakamoto /playing the piano
18.4.11
το rock της δευτερας
MASTURBATION GOES CLOUD
Ο καινουριος δισκος που θα κυκλοφορησει
συντομα
ειναι
πολυ
καλος.
http://www.myspace.com/masturbationgoescloud
Ο καινουριος δισκος που θα κυκλοφορησει
συντομα
ειναι
πολυ
καλος.
http://www.myspace.com/masturbationgoescloud
17.4.11
16.4.11
13.4.11
9.4.11
8.4.11
hesalreadyinme related
http://www.youtube.com/watch?v=6NiNaGuIPxg
http://plightandpremonition.tumblr.com/page/1
http://www.youtube.com/watch?v=8OKEC_vuhyU&feature=related
http://www.youtube.com/watch?v=pHxEOlkFYsc
http://www.youtube.com/watch?v=QF8tqR4-VeE&feature=related
http://www.sacredfeather.com/redberet.gif
http://www.womenxone.com/files/2009/10/Floar-Red-Hats-1.png
και παραδοσιακα ελ
7.4.11
"bic"now can i get my pen back?
BIC now can I get my pen back?
ta katourokanata
5.4.11
Παρασκευή 8/4, LIVE @KNOT Gallery
IGNATZ (BE)
BEAR BONES, LAY LOW (BE / VE)
Η ομάδα Silence Fiction Society σε συνεργασία με την KRAAK και τη KNOT Gallery παρουσιάζουν τον Bέλγο αυτοσχεδιαστή Ignatz και τον τον 21χρονο kraut stoner από τη Βενεζουέλα Bear Bones, Lay Low - στα πλαίσια ενός διημέρου, μίνι showcase της Βέλγικης κολλεκτίβας/ δισκογραφικής KRAAK στην Αθήνα.
Πέμπτη 7/4 PARTY @ CANTINA SOCIAL
dj sets: Tommy De Nys (KRAAK/ Sylvester Anfang II), sfs
DOORS: 21:00
EΙΣΙΤΗΡΙΟ: 10 euro KNOT Gallery, Mιχαλακοπούλου 206 & Πύρρου (εισ. από Πύρρου)
knotarts.blogspot.com
Μετρό: Αμπελόκηποι/Λεωφορεία: Α5, Β5 (στάση ΖΑΓΟΡΑ)
Χορηγοί Επικοινωνίας ΚΝΟΤ: cooradio.com, acidart.gr
Cantina Social , Λεωκορίου 8, Ψυρρή
Poster Design: bend.gr
ignatz interview for 06:00 am
Ignatz: My name is Bram Devens, I live in Brussels Belgium and have been making music as Ignatz since 2004.
0600am: What was the first music you gravitated towards?
Ignatz: As a child I was not into music at all. I prefered reading books and writing and drawing. A nerd. One day I won a drawing compitiion and the prize was a flute. That was my first instrument. I played it for hours. Later I got a portable cassette recorder and started recording "songs". I was 11 years old.
0600am: When, how and why did you choose this instrument?
Ignatz: When I was 13 my I saw Sonic Youth, thurston moore played guitar with drumsticks and made a lot of noise and this appealed to me. It looked easy enough. My mother used to play guitar so we had an old spanish classic guitar at home. I didn't know how to tune it but the kid next door played guitar and he tuned it for me and learned me the first chords. The guitar detuned easily so I went to his place everyday so he could tune it. He got tired of that and told me to fuck off. That summerI picked cherries on a farm for a month and with the money I made I bought my first electric guitar and amp. My parents were not happy.
0600am: How much place does your music occupy in the space that you live in? The map drawing in the cover of you latest release. What is it about?
Ignatz: All music related stuff could fit in one closet. A couple guitars, some pedal, 2 boxes with cables and a small record collection. The drawing of the map is made by Olivier Schrauwen. http://ollieschrauwen.blogspot.com/ He is a comicartist. He drew this map while working on his first book "my boy". He never used it for the book but I remembered the drawing and asked if I could use for the record cover. It shows Belgium the way someone like king Leopold II pictured it. Too big.
0600am: Do you become sensitive to random noise as you get older?
Ignatz: Not really, but loss of hearing might play a role in that. I do like more space in sound as I get older, instead of a wall of sound.
0600am: Ignatz the mouse, the comic strip character which throws bricks as a sign of love is the story behind your name. Justifying 'violent behavior' as a sign of affection has a childish but also transcendental character to it. Do you think it is important to have a sense of a mythological dimension in life?
Ignatz: I think it is important to have no mythological dimension in life at all. We all want stories bigger and more interesting then reality, but as we are stuck with reality its best to accept the mundane aspects of boring daily life. I like to present my music as straightforward as possible with as less mystifying elements as possible. In a live setting I like that people can see the mechanisms behind the music.
0600am: From which subjects do you like to build upon to give narrativity to your music. What do you prefer to sing about?
Ignatz: I don't use real lyrics, and have never written any. Allthough in my head each song has a subject and sometimes a narrative, they are not fixed at all, and while playing them heavily influenced by the moment. S mostly I sing about things that happened half an hour before I started singing, which could be drinking a coffee, are going outside, seeing it raining and going back in, or hearing someone talk shit about another person.
0600am: Have you ever read anything by Jim Tompson?
Ignatz: No, I have to check him though.
0600am: Can you describe the different ways you like to lose yourself in the music Eminemly speaking?
Could music making for you mean a kind of inner cleaning process/situation, psychologically speaking, or is it more like a slow drag that goes on an on in circles?
Ignatz: There are times where playing music is a kind of inner cleaning process, but sometimes it is not. It is a more slow process, where you work on something for a couple of days, sometimes longer. Repeating over and over. And trying to find new ways of doing the same thing. But still feel connected to the original idea/feeling.
0600am: How do you imagine your set in Athens, the space, the people, at Knot Gallery on Friday will be like?
Ignatz: I have played in Athens two years ago, and because of lack of imagination I hope it will be like the last time. Because I had a great time then.
4.4.11
το rock της δευτερας
Trembling Bells
The Constant Pageant
HONEST JON'S RECORDS
From its very first notes, The Constant Pageant flies the flag — a banner of arms — with the Bells' most confident, anthemic sound to date. Trembling Bells are twenty-first-century troubadours who know their history, on a quest to connect with the core tradition of Song, and live deep within its mysteries. Medieval ballads, Sinatra and Dylan are amongst the guiding lights in a music that embraces British folk-rock, American roots and electric psychedelia.
The album title pays tribute to folkloric culture as ‘omnipresent in my thinking, and a source of personal joy and affirmation,’ says the Bells’ Alex Neilson. ‘A kind of florid, seething, creative wellspring that taints everything I do. Though, with this collection of songs, there were a number of other influences too. I think of traditional folk music as being like my first serious girlfriend, and all subsequent dalliances with other forms have been indelibly affected by it.’
It’s a record of windswept bitterness and joyous elation: Cold Heart Of Mine is a paean to embattled lovers written in the shadow of Verona’s ancient amphitheatre; Where Do I Go From You? and Torn Between Loves describe doomed romance, dramatized by Mike Hastings’s screaming fuzz guitar. There’s also a strong sense of place. Neilson’s native Yorkshire is the setting for Goathland — home of folk’s first family, the Carthy-Watersons (not to mention the BBC’s Heartbeat) — and Otley Rock Oracle, in which a small Yorkshire market town is re-imagined as a place of dead roads, where severed golden heads and cauliflower-clouds clue in a young adept. Classical and Early Music come to the fore on Colour Of Night — in which a medieval feast seems to be taking place behind the song’s stately gavotte — and the melancholic closer, New Year’s Eve’s The Loneliest Night Of The Year, a tribute to favourite modern song-writers like Gordon Jenkins, Nelson Riddle and Hoagy Carmichael (with a cheeky aside about stolen Roman marbles).
The Constant Pageant is a rhapsodic celebration of the power of Song, from one of the UK’s most eclectic and inventive groups.
The album title pays tribute to folkloric culture as ‘omnipresent in my thinking, and a source of personal joy and affirmation,’ says the Bells’ Alex Neilson. ‘A kind of florid, seething, creative wellspring that taints everything I do. Though, with this collection of songs, there were a number of other influences too. I think of traditional folk music as being like my first serious girlfriend, and all subsequent dalliances with other forms have been indelibly affected by it.’
It’s a record of windswept bitterness and joyous elation: Cold Heart Of Mine is a paean to embattled lovers written in the shadow of Verona’s ancient amphitheatre; Where Do I Go From You? and Torn Between Loves describe doomed romance, dramatized by Mike Hastings’s screaming fuzz guitar. There’s also a strong sense of place. Neilson’s native Yorkshire is the setting for Goathland — home of folk’s first family, the Carthy-Watersons (not to mention the BBC’s Heartbeat) — and Otley Rock Oracle, in which a small Yorkshire market town is re-imagined as a place of dead roads, where severed golden heads and cauliflower-clouds clue in a young adept. Classical and Early Music come to the fore on Colour Of Night — in which a medieval feast seems to be taking place behind the song’s stately gavotte — and the melancholic closer, New Year’s Eve’s The Loneliest Night Of The Year, a tribute to favourite modern song-writers like Gordon Jenkins, Nelson Riddle and Hoagy Carmichael (with a cheeky aside about stolen Roman marbles).
The Constant Pageant is a rhapsodic celebration of the power of Song, from one of the UK’s most eclectic and inventive groups.
AKRON / FAMILY
VOLCANO CHOIR
THE KINKS
ARE THE VILLAGE GREEN PRESERVATION SOCIETY
συγκινηση. αφισα. κορμορανοι. 3 μερες παρτυ. βοηθεια.
& ΠΑΡΑΣΚΕΥΗ 8 ΑΠΡΙΛΙΟΥ
ΕΚΘΕΣΗ ΑΦΙΣΑΣ
BIOS
(ΠΕΙΡΑΙΩΣ 84. ΑΘΗΝΑ)
Πρωτότυπα σχέδια, μακέτες και ανατυπώσεις αφισών από τα 8½ χρόνια λειτουργίας του Κορμοράνου σε μία τριήμερη έκθεση που θα συνοδεύεται από μουσικά μικροηβέντ, συναυλίες και άφτερπαρτι.
ΕΓΚΑΙΝΙΑ: ΤΕΤΑΡΤΗ 6 ΑΠΡΙΛΙΟΥ // ΩΡΑ 18.00
ΩΡΕΣ ΛΕΙΤΟΥΡΓΙΑΣ: 12.00 - 15.00 ΚΑΙ 18.00 - 22.00
Από το 2002 που ίδρυθηκε, ο Κορμοράνος έδινε πάντα μεγάλο βάρος στον τρόπο που θα απεικονιζόταν η εκάστοτε διοργάνωσή του στις αντίστοιχες αφίσες, άλλοτε δίνοντας το προσωπικό του στίγμα (της εταιρείας αλλά και - κυρίως - αυτού που τις έφτιαχνε) κι άλλοτε υπηρετώντας ταπεινά την αισθητική του καλεσμένου ή τους περιορισμούς του συγκεκριμένου κατά περίπτωση είδους εκδήλωσης.
Η συγκεκριμένη (αναδρομική) έκθεση - η πρώτη τέτοια που διοργανώνεται μέσα σε αυτά τα 8½ χρόνια λειτουργίας - θα επικεντρωθεί σε δουλειές των βασικότερων σχεδιαστών του Κορμοράνου, Δημήτρη Ρόκου, Θάλεια Ραυτοπούλου και Χάρη Λαγκούση, αλλά και Μάριας Μπαχά, Στέφανου Ρόκου και Ιφιγένειας Καμπέρη ενώ θα περιλαμβάνει συγκεντρωμένο αρχειακό υλικό τόσο από τους παραπάνω όσο και από παλαιότερες συμμετοχές των Ιλάν Μανουάχ, Δημήτρη Κανελλόπουλου (b-positive.gr), μπλακ εν ντέκερ, Γιάννου Κοφτερού, Mickey Dreamkey και Versaweiss.
Στο χώρο της έκθεσης θα βρίσκεται επίσης ό,τι έχει κυκλοφορήσει ο Κορμοράνος σε βιβλία (εντός κι εκτός της ink press) καθώς και η Horror & Romance on Another Planet μουσική συλλογή του Στέφανου Ρόκου, ενώ το τριήμερο θα συνοδεύεται κι από πλούσιο μουσικό πρόγραμμα, με live εμφανίσεις των Max Tundra, Big Fat Lips και Κelpe, σπέσιαλ γκεστ dj set του υπερανερχόμενου Γάλλου Canblaster στο πάρτι του κλεισίματος και περισσότερους από πέντε Έλληνες djs κάθε μέρα σε ωριαία σετ πριν, ενδιαμέσως και μετά:
ΤΕΤΑΡΤΗ 6
BIOS FRONT >> 18:00 Digital Riot / Chris OD / Mr.Z / Θάλεια
ΠΕΜΠΤΗ 7
BIOS FRONT >> 18:00 Dennis D' Or / Chevy / dj Los Patatas Fritas από το 1999 / Bad Spencer
BIOS MAIN >> 22:00 Max Tundra (LIVE)
ΜΠΑΡ ΠΑΝΩ ΑΠΟ ΤΟ BIOS >> 22:00 Βουνό / Legal Tender
ΠΑΡΑΣΚΕΥΗ 8
BIOS FRONT >> 18:00 NeaTPermaiK / Dimitris Lilis / Jimmy Jib / espeekay
BIOS MAIN >> 22:00 Big Fat Lips (LIVE) / Kelpe (LIVE)
BIOS FRONT >> 00:00 Black Athena / Runner / Canblaster / Fresh Things First
ΕΙΣΟΔΟΣ ΕΛΕΥΘΕΡΗ
ΕΓΚΑΙΝΙΑ: ΤΕΤΑΡΤΗ 6 ΑΠΡΙΛΙΟΥ // ΩΡΑ 18.00
ΩΡΕΣ ΛΕΙΤΟΥΡΓΙΑΣ: 12.00 - 15.00 ΚΑΙ 18.00 - 22.00
Από το 2002 που ίδρυθηκε, ο Κορμοράνος έδινε πάντα μεγάλο βάρος στον τρόπο που θα απεικονιζόταν η εκάστοτε διοργάνωσή του στις αντίστοιχες αφίσες, άλλοτε δίνοντας το προσωπικό του στίγμα (της εταιρείας αλλά και - κυρίως - αυτού που τις έφτιαχνε) κι άλλοτε υπηρετώντας ταπεινά την αισθητική του καλεσμένου ή τους περιορισμούς του συγκεκριμένου κατά περίπτωση είδους εκδήλωσης.
Η συγκεκριμένη (αναδρομική) έκθεση - η πρώτη τέτοια που διοργανώνεται μέσα σε αυτά τα 8½ χρόνια λειτουργίας - θα επικεντρωθεί σε δουλειές των βασικότερων σχεδιαστών του Κορμοράνου, Δημήτρη Ρόκου, Θάλεια Ραυτοπούλου και Χάρη Λαγκούση, αλλά και Μάριας Μπαχά, Στέφανου Ρόκου και Ιφιγένειας Καμπέρη ενώ θα περιλαμβάνει συγκεντρωμένο αρχειακό υλικό τόσο από τους παραπάνω όσο και από παλαιότερες συμμετοχές των Ιλάν Μανουάχ, Δημήτρη Κανελλόπουλου (b-positive.gr), μπλακ εν ντέκερ, Γιάννου Κοφτερού, Mickey Dreamkey και Versaweiss.
Στο χώρο της έκθεσης θα βρίσκεται επίσης ό,τι έχει κυκλοφορήσει ο Κορμοράνος σε βιβλία (εντός κι εκτός της ink press) καθώς και η Horror & Romance on Another Planet μουσική συλλογή του Στέφανου Ρόκου, ενώ το τριήμερο θα συνοδεύεται κι από πλούσιο μουσικό πρόγραμμα, με live εμφανίσεις των Max Tundra, Big Fat Lips και Κelpe, σπέσιαλ γκεστ dj set του υπερανερχόμενου Γάλλου Canblaster στο πάρτι του κλεισίματος και περισσότερους από πέντε Έλληνες djs κάθε μέρα σε ωριαία σετ πριν, ενδιαμέσως και μετά:
ΤΕΤΑΡΤΗ 6
BIOS FRONT >> 18:00 Digital Riot / Chris OD / Mr.Z / Θάλεια
ΠΕΜΠΤΗ 7
BIOS FRONT >> 18:00 Dennis D' Or / Chevy / dj Los Patatas Fritas από το 1999 / Bad Spencer
BIOS MAIN >> 22:00 Max Tundra (LIVE)
ΜΠΑΡ ΠΑΝΩ ΑΠΟ ΤΟ BIOS >> 22:00 Βουνό / Legal Tender
ΠΑΡΑΣΚΕΥΗ 8
BIOS FRONT >> 18:00 NeaTPermaiK / Dimitris Lilis / Jimmy Jib / espeekay
BIOS MAIN >> 22:00 Big Fat Lips (LIVE) / Kelpe (LIVE)
BIOS FRONT >> 00:00 Black Athena / Runner / Canblaster / Fresh Things First
ΕΙΣΟΔΟΣ ΕΛΕΥΘΕΡΗ
ΤΕΤΑΡΤΗ 6
ΑΠΡΙΛΙΟΥ
AFTERPARTY ΕΓΚΑΙΝΙΩΝ
SWING CLUB
(ΙΑΚΧΟΥ 8. ΓΚΑΖΙ)
ΩΡΑ 22:00 // ΕΙΣΟΔΟΣ ΕΛΕΥΘΕΡΗ
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